“You don’t know anyone at the party, so you don’t want to go. You don’t like cottage cheese, so you haven’t eaten it in years. This is your choice, of course, but don’t kid yourself: it’s also the flinch.
Your personality is not set in stone. You may think a morning coffee is the most enjoyable thing in the world, but it’s really just a habit. Thirty days without it, and you would be fine. You think you have a soul mate, but in fact you could have had any number of spouses. You would have evolved differently, but been just as happy.
You can change what you want about yourself at any time. You see yourself as someone who can’t write or play an instrument, who gives in to temptation or makes bad decisions, but that’s really not you. It’s not ingrained. It’s not your personality. Your personality is something else, something deeper than just preferences, and these details on the surface, you can change anytime you like.
If it is useful to do so, you must abandon your identity and start again. Sometimes, it’s the only way.
Set fire to your old self. It’s not needed here. It’s too busy shopping, gossiping about others, and watching days go by and asking why you haven’t gotten as far as you’d like. This old self will die and be forgotten by all but family, and replaced by someone who makes a difference.
Your new self is not like that. Your new self is the Great Chicago Fire—overwhelming, overpowering, and destroying everything that isn’t necessary.
”—
Julien Smith
(via kaleidoscopicjuvenile)
(via kristinamarie)
![hourvari:
Source
In the late 1880s, the body of a 16-year-old girl was pulled from the Seine. She was apparently a suicide, as her body showed no marks of violence, but her beauty and her enigmatic smile led a Paris pathologist to order a plaster death mask of her face.
In the romantic atmosphere of fin de siècle Europe the girl’s face became an ideal of feminine beauty. The protagonist of Rainer Maria Rilke’s 1910 novel The Notebooks of Malte Laurids Brigge writes, “The mouleur, whose shop I pass every day, has hung two plaster masks beside his door. [One is] the face of the young drowned woman, which they took a cast of in the morgue, because it was beautiful, because it smiled, because it smiled so deceptively, as if it knew.”
Ironically, in 1958 the anonymous girl’s features were used to model the first-aid mannequin Rescue Annie, on which thousands of students have practiced CPR. Though the girl’s identity remains a mystery, her face, it’s said, has become “the most kissed face of all time.”](http://img98.imageshack.us/img98/756/hhhhhh1.jpg)
